Hum -102 - Week 1 - Humanities Today Paper - 871 Words

Introduction Humanities allows us to look at the past, the past will allow us to see what our future holds. This paper will examine how the study of humanities is differentiated between other modes of expression. The paper will also review examples of art, music, architecture, philosophy, literature and film that reflect current socio-economics, technology and politics. Humanities Defined The study of humanity provides insight into how humans have developed culturally. The insight that art, literature and music can provide allows us to understand the influence that it provided in the development of our future, or our today. This awareness gives us the opportunity to see how important facts and events have influenced others.†¦show more content†¦Specifically â€Å"Gangsta rap represents part of a larger focus on hip hop and politics that is popular within the media and among scholarly research and the prominence of gangsta rap in the late 1980s and early 1990s prompted the association between hip hop and violence that contemporary social scientists theorize† (Gilliam, 2007). Architecture There are several different methods within modernism style of architecture. The modernist style looks for function rather than trying to reproduce the natural environment. There are several forms within the modernism style they include: structuralism, formalism, Bauhaus, the international style, brutalism, and minimalism. The features of modernism includes the fact there is little embellishment or decoration, man made supplies are used (metal and concrete). Architects in the 20th century include I.M. Pei. Philosophy Philosophy is defined as a â€Å"comprehensive system of ideas about human nature and the nature of the reality we live in and is a guide for living, because the issues it addresses are basic and pervasive, determining the course we take in life and how we treat other people† (Thomas, 2005). Major philosophers of the 20th century include Carl Jung, Albert Camus, and Bertrand Russell. Literature Literature provides readers a written composition comprised of current or previous cultural issues. According to the Department ofShow MoreRelatedpreschool Essay46149 Words   |  185 PagesInformation Copies of this publication are available for sale from the California Department of Education. For prices and ordering information, please visit the Department Web site at http://www.cde.ca.gov/ re/pn or call the CDE Press Sales Office at 1-800-995-4099. An illustrated Educational Resource Catalog describing publications, videos, and other instructional media available from the Department can be obtained without charge by writing to the CDE Press Sales Office, California Department ofRead MoreDeveloping Management Skills404131 Words   |  1617 PagesCameron.—8th ed. p. cm. Includes bibliographical references and index. ISBN 978-0-13-612100-8 1. Management—-Study and teaching. 2. Management—Problems, exercises, etc. Kim S. II. Title. HD30.4.W46 2011 658.40071 173—dc22 I. Cameron, 2009040522 10 9 8 7 6 5 4 3 2 ISBN 10: 0-13-612100-4 ISBN 13: 978-0-13-612100-8 B R I E F TA B L E O F C O N T E N T S Preface xvii Introduction 1 PART I 1 2 3 PERSONAL SKILLS 44 Developing Self-Awareness 45 Managing Personal Stress 105 Solving

Compare the Two Articles on Henri Paul - 1387 Words

Compare the articles on Henri Paul: Which one do you think is most persuasive? Diana, princess of Wales died on 30th August 1997. She died in a car crash In a Paris tunnel. At the time she had divorced Prince Charles who was the father or her two children, (Prince William and Harry), and was in a relationship with Dodi Alfayed. This story was reported worldwide. In the article from the Mirror, they give a biased picture of what Henri Paul Is like. They say he Is a â€Å"speed freak† and â€Å"bike nut, could down nine whiskies in a night†. This suggests that he is a heavy drinker and that he is always speeding. The words Speed freak displays assonance, which makes a bigger Impact on the reader. â€Å"Speed† has several connotations: It Is a drug; It Is†¦show more content†¦The MIrror also uses more colourful language and allIteratIons, â€Å"BIke nut could down nIne whIskIes a nIght†. They use adjectIval tags such as â€Å"formIdable boozer† and â€Å"party-lovIng Paul†: However In The GuardIan, they use less sensatIonalIsm and less strong words or negatIve expressIons. They at least try to sound authentIc wIth French phrases, places and names. In the TabloId newspaper artIcle, they quote from an EnglIsh bar owner sItuated In ParIs. Mark WIllIamson saId that HenrI Paul â€Å"looked a bIt lIke a well-pIssed Groucho Marx†. ThIs man appeals to the people that read The MIrror because he talks just lIke the typIcal readers. It Is also good that he Is EnglIsh as the readers of The MIrror tend to be more patrIotIc than readers of The GuardIan. ConsIderIng they claIm HenrI Paul vIsIted â€Å"numerous bars† In France It should be questIoned why an EnglIsh bar owner has been quoted. Frankly, many workIng class EnglIsh dIslIke the French, It seems plausIble that an EnglIshman wIll gIve the response that theIr readershIp wIll want. A quote In The GuardIan Is from Marcel DouzIer, a French man who had known Paul sInce hIs school days. He saId â€Å"Paul was a really calm and sensIble type†. As he was someone who had known Paul for a long tIme, hIs quote seems to be a bIt more relIable than someone who saw Paul, but h ad never really had an In depth conversatIon wIth hIm. However, can a â€Å"lIfelong† frIend beShow MoreRelatedTheories of Organizational Behavior10512 Words   |  43 Pagesindustries. Concepts of meso - primarily interested in power, culture, and the networks of individuals and units in organizations and field level analysis which study how whole populations of organizations interact has also been added to these two. . Modern organizational studies attempt to understand and model all such factors that come in play when an organization zooms in existence and continues being in functioning. 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Nestlà © India Limited is the Indian arm of Nestlà ©Read MoreLangston Hughes Research Paper25309 Words   |  102 Pagesfavorite poet was Paul Laurence Dunbar, who wrote formal poetry, but became famous for poems written in black dialect. Langston also read the Bible. His favorite novels were Harriet Beecher Stowes Uncle Toms Cabin, Mark Twains The Adventures of Huckleberry Finn, Zane Greys, Riders of the Purple Sage, Harold Bell Wrights The Shepherd of the Hills, Edna Ferbers Cimarron, Gene Stratton Porters Freckles, and Florence L. Barclays The Mistress of Shenstone. Langston admired poet Paul Laurence DunbarRead MoreCosmetic Industry Analysis28098 Words   |  113 Pagesworth less than the mortgage price (Ryan, 2009). As compare to 2006, sales volumes of new homes were declined by 26.4% in 2007 of the excess supply (Victor, Sonal, Sreekanth et al., 2009). During March 2008, an estimated 8.8 million of US homeowners were believed that had the negative equity. Instead of paying high interest rate which unaffordable, many people choose to just go off. [pic] (Sources: http://www.globalissues.org/article/768/global-financial crisis#ThefinancialcrisisandwealthycountriesRead MoreEssay on Sexuality/Textuality in Tristram Shandy8792 Words   |  36 Pageswrong (p. 102). The sermons epistemology is firmly grounded in the existence of both God and a set of eternal verities, and the dictates of both can be determined by examining the revealed word of the Bible or the internal voice of reason; the two are compatible. Such an epistemology assumes the stability of language. Even if word and thing are not identical, they are intrinsically linked, revealing a unity of signifier and signified.2 Language, whether in the form of the interior speechRead Moremkt311 tb chap922235 Words   |  89 Pagesfollowed in order without omitting any steps.      True  Ã‚  Ã‚  Ã‚  False    4. 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The Impact of Social Networking Free Essays

Since the new millennium occurred, social networking sites have been popping up everywhere, from Friendster, to MySpace, to Facebook. Setting apart the old way of communicating, by telephone, letters, and in person is having a negative impact on us. People young and old have found themselves addicted to well, basically themselves. We will write a custom essay sample on The Impact of Social Networking or any similar topic only for you Order Now People post pictures of themselves, update their status constantly and write blogs hoping someone else will credit it. With all of that said, these social networking sites seem to be causing more bad than good. Teenagers are a vast majority of those using these sites. Do social networking sites hurt teenagers? People of all ages use social networking sites to keep in touch with friends and family. Not everyone can see someone on an everyday basis, nor call them every day. Being able to talk to people in your life all at one time is a great idea. Meeting new people is an advantage also. Finding those who have the same qualities and hobbies as you can make an instant friendship. â€Å"Researchers say social-networking sites are shortening attention spans, encouraging instant gratification, and making young people more self-focused. (What Impact) By being on the internet so often teenagers are accustomed to caring more about themselves than anything else. â€Å"A large majority of teens (71%) have established online profiles† (Teen Internet). If 71% of teenagers have an online profile, and researchers say it is shorting their attention spans, what is that to say about our future? Social networking sites are more about me me me than keeping in contact, as if the whole thing was just a popularity contest. This constant attention battle takes a toll on the brain, â€Å"A British neurologist warns that extended use of the sites actually rewires the brain, causing teenagers to require constant reassurance that they exist† (What Impact). Thus why they check and update their profiles multiple times a day. Social networks in a way make it seem like your living in a small town or village, where everyone around you knows every aspect of your life. But because we purposely want that, it is making us more concerned with ourselves. Most of these people teenagers talk to in the irst place are people they see almost every day at school, work, and etc. Even if they conversed with someone during the day, they still continue to talk to them on the internet. Being able to keep in contact with friends and family is very important. Right now in our time people use the internet all of the time to talk to friends and family â€Å"The current generation is never unconnected. They’re never losing touch with their friends† (Thompson). With the fast pace life style teenagers and young adults face, the internet is an ideal way to keep up to date with all the things happening around you. Especially for college students does this come in handy, being able to contact someone with the click of a button, while also writing a paper or doing homework. Multi tasking plays a large role in the success rate of social networks. While on the telephone with on person, it can be hard to focus on doing something else but when you are on the computer you can talk to multiple people at once while still doing other activities. Socal networks can also help you to find people you have not seen in years. They have search engines within, so finding an old class mate or an old friend from your kindergarten class is not a problem. How to cite The Impact of Social Networking, Essay examples

Music Business Essay Summary Example For Students

Music Business Essay Summary Music Business Exam Number OneQuestion 1. The music publishing industry at a glance would seem to be those who print sheet music, method books, lead sheets, and all of the texts or notated music that musicians (and those aspiring to be musicians) use. Years ago, this was what most music publishers did, but as the industry has evolved the process that become much more complex. Music is not just ink and paper, intellectual material and property to the individual who writes it. Therefore the song does not become â€Å"a song† when it is written down. This is not an easy concept to grasp because the song by itself has no physical makeup. A song could exist once it is played for the first time, and songs can even exist inside the mind of a songwriter. This concept is why the publishing business can be so complex; we are dealing with intellectual property. The heart of the music publishing business lies in the rights to the original music. After the music is successful enough to financially support itself the music is printed in mass quantities in a variety of ways. This could be everything from guitar tabs to choral arrangements for a junior high choir. The publisher’s main source of income is through record royalties, performance royalties received from companies like the American Society of Composers, Authors and Publishers (ASCAP), Broadcast Music Incorporated (BMI), and the Society of European Stage Authors and Composers (SESAC) for performances of music copyrighted by the publisher. These royalties could be from many different types of performances but most are though radio and songs on television. The success of a songwriter lies in the greatly in the hands of his/her publisher. Normally we hear of a band’s success when they are â€Å"signed† with a record deal, but most record companies not only produce and promote an album, they also act as the publisher who, when contracted, owns the rights to the music. When a publisher own the song it is put in to their catalog. Merchandise retailers have catalogs of their goods just like publishers have a catalog of songs that they own rights to. Publishing firms such as Warner/Chappell, BMG Music, MCA Music, and Sony music have catalogs of many styles of music. These companies are referred to as â€Å"full-line companies.† A broad repertoire allows them to market their music to many audiences. Most of these full-line company’s roots can be traced back to the music of Hollywood and the show music of Broadway. Publishers today may have thousands of songwriters in its catalog including all styles of music from around the globe. Representative Warner/Chappell owns, administers, or sub-publishes more that a million copyrights here and abroad. Today’s full-line publishers have many different divisions to their company. Large publishers handle virtually every aspect of a writer’s music, it’s recordings, distribution, sales, promotion, advertising, touring, and legal affairs. This figure lays out all the divisions a full-line publisher may have. The administration division is the division that handles the operations of the firm. All business affairs go through administration. When money is received from or paid to customers the firm the accounting divisions keeps all the financial records of these kinds of operations. The accounting division also would handle loans given to artist that are signed to the firm under the publisher’s record label. When a band records an album under a label they become a liability to the label because money has to be spent to record, produce and promote a artists music. Full-line publisher’s front this money and all profits from the artist come back and are split 50-50 with the publisher and the writer. If the artist maintains the rights to their songs the record contract will include a controlled composition clause that calls for a reduced mechanical royalty paid to the artist by the record label. This clause may reduce the royalty split to 75-25, the larger portion going to the re cord label. This clause would not be insisted to artists who place the full rights to works in the hands of the record company’s publisher. The artist remains a liability to the publisher as long as the artist has not made as much money as was invested into them by the publisher. An accountant usually handles the royalty department, which is money received from performances of the copyrighted music. This financial person will also handle normal operations such as payroll, accounts payable/receivable, insurance, purchasing and other financial operations. The copyright department may have one or more people in this division. This department is responsible for a number of tasks. Some of these important tasks are to:1. Conduct a title search. The copyright department first determines who owns the work. Just because an artist claims to have written a song does not give him rights to it. This may be a complicated process, which is why many publishers stay away from music that is se nt blindly to them for review. Legal disputes between the publisher and the writer could result and end up in court, which can be a long and costly process. Other issues that add to the complication are co-authors to the music, previous publishers, revision to music or lyrics, and many more. When the copyright department has performed this research, a copyright attorney can answer remaining questions. Depending on the demand of this type of attorney to the firm, the firm may hire one full time for these affairs. 2. Registering claims of copyright. This is done to make the copyright official, which may cost about twenty dollars for a song. 3. Handle the mechanical, and synchronization licenses of the music. Mechanical licenses are issued to artists for the recording of a copyrighted work. Synchronization licenses are issued for the use of copyrighted works in firms. This may be done through the Harry Fox agency, or may be handled through the copyright department. 4. Keeping current records of all copyrights owned by the publisher. This includes the renewal, extensions, sales, or abandonment of existing copyrights. Copyrights do have a time limit, so the need to watch where they stand in time is important to the life of the work. There may be a specific department for business affairs that deal with the legal operations of the firm. The publisher may have staffed lawyers and attorneys in this department that study the copyright laws and take legal action for the breaking of copyright laws, or the negotiating of new laws. If the publisher does not have the demand for a full time lawyer or attorney, they may be hired from outside firms. The acquisitions division is responsible for contracting writers and purchasing other catalogs. A representative from the publisher may travel the country to find artists that would bring more business to the firm. Like â€Å"scouts† this person is in charge of artists and repertoire (A R). The A R representative may attend a major event by an artist to see them perform and evaluate whether they would be profitable for the firm. Remember that the publisher splits all profits 50-50; millions of dollars may be at stake at the success of one artist. The acquisitions department is responsible for the purchasing of catalogs of smaller firms. This makes the music publishing industry and oligopoly; an industry controlled by a few large firms. The print publishing division is responsible for task such as editing, engraving, artwork, copying, and the printing of its catalogs music. The signed artists may meet with the editors, and arrangers in this department to prepare the music for printing in a number of different ways. The music would simply be transcribed to a lead sheet, or an entire album could be published in a book with all the chords and guitar tabs for aspiring musicians to purchase. After the music is printed it is then distributed. The promotion division is often the largest of all the divisions in a full-line publishing company. The success of a work is held in the hand of the promotion of the artist and their music. Even artists that do not have outstanding talent or abilities, but have excellent promotion will have more fame than the talented unadvertised artist. The people incharge of these artists success are the producers, managers, and musical directors for not only the records they produce but also the performances they give. Producers in the recording studio deal with the quality of the music and how it sounds the its audience. The musical director may also be present to make decisions about the arranging of music during the recording project. The artist’s manager is responsible for the personal well being of the artist. The other departments involved in promotion are responsible for print ads, store displays for the album, direct mail to retailers and fans, and any other special events. After all the acquisions, administration, print production, and promotion divisions have performed their responsibilities, the distribution division takes control and begins to put this intellectual, funded, copyrighted, recorded, printed, promoted music into the hands of consumers. The distribution and sales division distributes the CD’s, tapes, sheet music, T-shirts, and other merchandise to wholesalers and retailers of the products. These vendors buy in large quantities at wholesale prices. Another distributor of sheet music known as a rack jobber deals with small quantities of music usually less that one hundred at a time. Other distribution may be done through direct mail, catalog and online sales. The final division of the full-line publisher is the subpublishers and licenses. Most publishers will contact different tasks to other publishers who may specialize in print or other services necessary to the artist but not provided by the primary publisher. The most common ser vice performed by subpublishers is printing. Companies like Hal Leonard, Inc. and Warner/Chappell are two of the largest print publishers. In these kind of contracts the printer acts as the licensee and bare the full cost of printing and distributing while the licensee pays the licensor a royalty on sales of up to twenty percent of the wholesale cost. In this situation the licensee acts as selling agent. Individual Retirement Accounts: Why Bother? EssayIn this subject we also include the fair use of copyrighted material. The law gives guidelines to what is considered fair use for this material. The act list the criteria for a fair use that includes:1. The purpose or character of the use, including whether such uses is of a commercial nature or is for nonprofit educational purposes. 2. The nature of the copyrighted work3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole4. The effect of the use on the potential market for or value of the copyrighted workThere are exceptions to certain performances that are included in the fair use portion of the act. (1) The performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution. (2) Performance of a nondramatic literary or musical work, display of work, by or in the course of transmission. These two uses allow students to study music for more that a hobby, but for a preparation for their careers upon graduation. This is a great resource for colleges to be able to teach and perform music and art for free as a fair use. Question 4. In the music industry there are three organizations that dominate the performance rights collection. These organizations are responsible for collecting royalties from clubs, concert halls, stadiums, bars, colleges, airlines, or any business or group that uses music to promote business for themselves. The money collected from these businesses is dispersed to publishing companies that split the profits with the songwriter. These performance rights organizations will take legal action against the venues that do not purchase the appropriate licenses for the uses of the copyrighted music. Some examples of licenses include mechanical, performance, special uses, synchronization and grand rights. The first performance rights organization established in 1914 is the American Society of Composers, Authors, and Publishers (ASCAP). ASCAP’s income is derived from the following places in the music industry:1. 20% to 25% from reciprocating foreign licensing organizations. 2. About half from television stations and networks3. Radio generates about 25%4. Annual fees are figured on a small percentage of the adjusted gross incomeMembership of ASCAP is comprised mostly of composers and lyricists of Broadway shows, movie musicals, and pop songs. To become a member of ASCAP you must have at least one song commercially recorded, available on rental, or performed in media licensed by the society. ASCAP has a board of twelve writers and twelve publishers. In weighting performances ASCAP takes into account the following: 1. The medium in which the performance takes place2. The weight of the station on which the performance is carried3. The weight of a television network4. The type of performanceThe organization pays its members on the basis of census and sample surveys of performances. These are usually done at random at places that have commercial airplay. The data is then figured on an average and royalties are paid based on the average. Broadcast Music Inc. is set up different from ASCAP in its financial structure. BMI is owned by stockholders. It’s board of directors consists of those who own shares in the company; several hundred people. The affiliates of BMI are songwriters from genres including jazz, rhythm and blues, country, rock, gospel and much more. Unlike ASCAP, BMI has no members, but has writer and publisher affiliates. BMI accepts those who have written a musical composition and have recorded or performed the work commercially. BMI pays higher for songs that originate in a Broadway show or feature film. As the song is play or performed more the copyright owners receive bonus payments of up to four times the minimum rate. BMI has many foreign writers and publishers in Europe and relays on income from overseas greatly. BMI does withhold 3.6% for servicing foreign accounts. BMI deals with most licenses, as does ASCAP. The Society of European Stage Authors and Composers (SESAC) is the third of the pe rformance rights organizations. SESAC is the smallest of the three organizations. They believe that by being a smaller organization they can meet the needs of their writers and publishers better then the bigger organizations. The other side to this is that it is much more costly to the copyright owner to join with SESAC. SESAC is the technological leader among these organizations. They have a state-of -the-art tracking system which allows them to accurately track the performance and recording of works by its owners. SESAC uses a chart payment system, which makes royalty payments based on chart positions in major trade publications. Unlike ASCAP they do not have a weighing system. The success of the song is based on how high up on the chart it is. ASCAP and BMI operate under court consent decrees; SESAC does not. Each of these organizations has their own strength, and all three are important to the industry. Question 5. Working musicians can become members of unions and guilds that are respected around the nation. There are many benefits to being apart of these organizations. At a glance one may not like the idea of paying yearly dues to a group of musicians, but the benefits can be immeasurable in the right parts of the country. The American Federation of Musicians (AFM) is a trade union. It is the oldest union in the United States representing musicians that are active in their professional career. Over the year this union has seen decease in numbers because of difficulty in attracting new young members and state and national laws restricting certain kinds of collective bargaining. The union dues can range from one to five percent of union scale wages earned by its members. These dues are used to finance activities all over the nation and locally. The Union provides these musicians with the proper treatment and paid work. Most symphonies are made up from union players. Other organizations include the American Guile of Variety Artists. The AGVA represents singers, dancers, comedians, ice skaters, jugglers, magicians, and others who perform live. The AGVA provides membership to all types of performers from the struggling to the world-famous. The AGVA will negotiate with the venues of its performers. The Screen Actors Guild is made up for actors, singers and even on-screen instrumentalists. All of these organizations are very specific to its members and who can join. A musician may have to be a part several unions or guilds to get the attention he need to succeed. Some of the benefits to being a part of a musicians union are laid out in a â€Å"Bill of Rights† fashion including how union musicians are to be paid:1. The right to enjoy a minimum wage, whether derived from live performance, royalties, or reuse, that is sufficient to provide a standard of support proportional to the entire investment of time and resources required to secure and perform said gainful employment. 2. The right to safe and healthy working conditions including protection from health threatening theatrical devices, demeaning and exploitive costumes or uniforms, excessive sound pressure levels, substandard travel arrangements, ingestion of second hand tobacco smoke, irrelevant recorded music before performances and during intermissions and the right to reasonable rest periods. 3. The right to equal employment opportunities based on musical qualifications and/or entertainment value regardless of race, ethnic background, age, gender, religion, cultural diversity or political affiliations. 4. The right to negotiate fairly on ones own behalf with universal recognition and legal enforcement of resulting contracts on agreed terms. 5. The right to ownership of all intellectual property rights as applied to compositions, performances, and recordings by all players and singers as well as leaders and publishers who are already protected. Minimum wage from gainful employment must be sufficie nt to pay all necessary costs for life, shelter, and health care in the proportion of 100% for 40 hours weekly invested and directly proportional for fewer hours. This investment of time includes, in addition to hours of actual live performance, those hours spent in practice, rehearsal, preparation, post-production and (when required by the employer) promotion of the event. In absolutely no instance shall this total work investment be compensated for less than federally mandated minimum wages. We can see that union protects and serves the musicians and gives them freedom to pursue their own careers in the performing arts. These organizations create stability for the pursuit of full-time jobs in many different areas of the arts, not only in music but also in the world of theatre and visual arts. Music Essays